SUPERSYNC TUTORIAL HOW TO

SUPERSYNC TUTORIAL HOW TO

Set Shop Tutorials: 'Learn How To Build A Light Table' Featuring Steve Sint - YouTube Personally I like round or rectangular but not octagonal ones. The shape of catchlights is a personal preference. You should match the size of the diffuser to the size of the subject. Is there any reason to consider the 80x80cm softboxes over the 60圆0cm ones? And does it matter if I get square soft boxes or octagons for product shoots? (I know that many prefer the octagons for portraits for the circular catchlight in the eye). Godox makes some other RF receivers but I don't know if they would be compatible for your hot-shoe flash.ĮBay - 2PCS Godox DE300 300W Compact Studio Flash Strobe Light + FT-16 Trigger Kit 110VĤ. The strobe kit is also available in 220V if that is important. The eBay kit comes with a RF transmitter and two receivers. The removable black backing helps reduce stray light when the umbrellas are used in the reflection mode.ī&H - Impact Convertible 45' Umbrella - White Satin with Removable Backingī&H - Impact Convertible 60' Umbrella - White Satin with Removable Backing You can overcome this by adding extra layers of diffuser material, translucent white nylon or Dacron fabric from any fabric store) to the front of the diffuser.īetter solutions are a weaker light or a larger diffuser.įor umbrellas I suggest ones like these. My guess is that your smallest aperture would be about f/11 with this 5-stop strobe. With the small 60cm (24') diffusers you list above you will limited at how big a subject you can shoot and at what apertures you can use. Sailorblue - Diffuser Size and Studio Strobe Power Typically you want a diffuser as large as or larger than the subject and for a good combination of softness and light fall off across the subject the diffusers are placed at distances between 1 and 2 times the diagonal or diameter from the subject.

This depends on the size of the diffusers and how far they are from the subject. Supersync: How to (Advanced Flash Technique) To exceed the camera's sync speed you need a flash or strobe with High Speed Sync (HSS) capability or you need RF triggers that will allow you to use Supersync. The cost isn't all that different and you don't have to be standing in front of the camera to trigger it.ĮBay - Details about Yongnuo RF-603II 2.4GHz Wireless Remote Flash Trigger single receiver for Canon Use a Yongnuo or Godox RF trigger instead. I'm open to making changes in the setup if it will help. I welcome any and every criticism and/or advice that you might have. Is there anything that I'm not accounting for that I should be? Could it use more optimization? And is there a chance that I might require top lighting? If yes, could I use my speedlite to bounce off of the ceiling to create top lighting?ħ. As it stands, my ultimate setup is going to look something like this, but with only two lights and a speedlite. Would it be more practical to simply place the white backdrop on a standard table for product shoots and avoid the collapsible shooting table altogether?Ħ. Is there any reason to consider the 80x80cm softboxes over the 60圆0cm ones? And does it matter if I get square soft boxes or octagons for product shoots? (I know that many prefer the octagons for portraits for the circular catchlight in the eye).ĥ. What is my best budget option for wireless connectivity to the studio lights? I'd also like to be able to connect to my speedlite as well, just in case.Ĥ. Depending on the highest shutter speed that I can use, is there a chance that even the maximum shutter speed won't suffice in getting the right exposure even with the studio flashes at their lowest power? I'm planning on getting a couple of DE400s since they're only slightly more expensive than its less powerful counterparts.ģ. Can I use shutter speeds of up to 1/4000 with the Godox lights, or will I be limited to 1/180 as is the case with my speedlite? If I can use higher speeds, what is the highest that I can use?Ģ. 1x Collapsible shooting table for product shootsġ. 1x Studio backdrop support system with white backdropĨ. 1x Canon remote trigger for camera shutterħ.

Below are the equipment I'm planning on getting for a studio setup.ĥ.

Supersync tutorial